Besson is best known for penning The Fifth Element as well as all three Liam Neeson Taken films. The Family comes courtesy of Luc Besson, who wrote and directed the film and based the script on the 2004 Italian novel Malavita by Tonino Benacquista. They are dealing with the Manzoni’s, a mafia family that knows how to handle their business. What the hitmen soon realize is that they aren’t dealing with any ordinary family. At the train station, Warren is ready to leave when he spies seven hitmen arrive and head into town. The school has caught on to Warren’s illegal ways, so Warren decides to use a fake passport to get out of town. It wasn’t Fred who compromised the family, though. This is a way we would like to shoot the basketball.Netflix’s Beef Star Facing Cancellation After Old Videos Resurface? We started to say, ‘Okay, this is a model for us. When Zak and I saw Raging Bull, we were watching Raging Bull and we saw that what Scorsese was doing, and how he was developing the language from fight to fight. Which, you know, provides a tremendous amount of possibility for the camera to do really special things. And the camera can easily get inside the ring with them, so you can get very close to the action. And it's because it's simple in terms of the action, right? It's like one guy versus another guy. And boxing movies are beautifully photographed. And then we started watching boxing movies.

J at Rucker Park and we watched a lot of street ball games. And if you know Martin Scorsese’s body of work, then you can probably guess which of his movies was instrumental in this case: He and his team did watch basketball footage but, interestingly enough, they started looking at boxing films as well.

He revealed that there was no exact cinematic model for him to lean on in order to craft the kind of story he wanted to tell. While Jeremiah Zagar tapped into some familiar (yet effective) tropes, he explained to CinemaBlend’s own ReelBlend podcast that he realized something early on.

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